Before you start listening to examples, check your headphones are working properly by playing this audio clip.

Sound Check
Gareth Fry

PAGE 25 - Comparing microphone pickup patterns

A omnidirectional microphone picks up sound equally in all directions. It is good for creating a sense of everything that is happening all around.

A cardioid microphone picks up sound towards the front of the microphone, and not so much of what is behind it. It’s good for when we want to focus on something in particular but still get a sense of other sounds around it.

 
 

A shotgun microphone is very directional. It picks up sound primarily of what you point it at, and some from behind too. It rejects sounds to the sides. It’s goof for when we want to try and record one particular thing in a noisy environment.

A figure of 8 microphone picks up sound to the sides, and rejects sounds in front and behind of it.

 
 

PAGE 27 - Comparing STEREO MICROPHONE TECHNIQUES

There are subtle differences between each technique in this application. For me, the AB is the least powerful in this application.

The wide AB spacing creates a slight gap in the centre of the stereo image, but suits the slow moving car better than the narrower AB spacing would.

The ORTF and binaural recordings are my favourite here, but again it’s fairly marginal.

Here again, the differences are subtle. That’s a skateboarder you can hear, going by.

More info

For more info on stereo mic techniques, check out DPAs mic university. Larry Seiler has written a great article about the many more complex stereo and spatial microphone arrays you can create.

Voxengo MSED is a great tool for decoding Mid-Side recordings (tip: remember to change the mode from Inline to Decode!)


PAGE 33 - BINAURAL PANNERS - Glastonbury

90% of these sounds aren’t recorded in stereo but I’m using binaural panners to create the effect of binaural sound.